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Sara Rojo
Pág. pp. 109 - 129
En el siguiente artículo abordo el trabajo del dramaturgo y director teatral chileno Guillermo Calderón. Este es un autor con una posición ideológica y estética bien definida, que él comparte con el grupo de artistas que montan sus obras. Mi hipótesis es...
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Lewis Munford
Pág. Pág. 7 - 17
Escrito de L. Mumford con sus opiniones sobre las New Towns inglesas, donde nos recuerda que, por encima de todo, una ciudad es un medio de proporcionar un máximo de contactos sociales y de satisfacciones, y que cuando los espacios se abren con demasiada...
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Giovanni Amadasi, Antonella Bevilacqua, Gino Iannace and Amelia Trematerra
Thousands of theatres were built during the Hellenistic period in Greece and overseas colonies. The main elements of the Hellenistic theatre are the following: the orchestra, where music and songs were performed to accompany the acting performance, and t...
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Antonella Bevilacqua and Lamberto Tronchin
Many acoustic studies have been carried out in the Italian theatres built during the 17th and 18th centuries. Along with the development of technology, acoustic measurements become increasingly more accurate, able to capture the faithful acoustic conditi...
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Lidia Alvarez-Morales, Neemias Santos da Rosa, Daniel Benítez-Aragón, Laura Fernández Macías, María Lazarich and Margarita Díaz-Andreu
In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record. This article focuses on the acoustic study carried o...
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Libero Nigro
K-means is a well-known clustering algorithm often used for its simplicity and potential efficiency. Its properties and limitations have been investigated by many works reported in the literature. K-means, though, suffers from computational problems when...
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Antonella Bevilacqua and Lamberto Tronchin
The acoustical characteristics of a room where the artistic performance is presented to the audience have a critical impact on the experience of both artists and spectators. It is important to know how the original aspects and the refurbishment works thr...
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Javier Alayón, Sara Girón, José A. Romero-Odero and Francisco J. Nieves
In Hispania (present-day Spain and Portugal), there are 25 structures documented of classical Roman open-air theatres, of which 10 are in the south, in the Roman Baetica (Andalusia). The Baetica embraced the progress of urbanisation in the time of the Ro...
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Silvana Sukaj, Giuseppe Ciaburro, Gino Iannace, Ilaria Lombardi and Amelia Trematerra
During the Imperial Roman period, thousands of theatres were built. The theatres have three principal elements: the scene building (actor position), the orchestra and the cavea (spectator seating). The theatres were built without a roof, so they were ope...
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Beata Majerska-Palubicka and Elzbieta Latusek
The article concerns the issue of intelligence-based design, which, during the design process undertaken by architects, signifies (according to the authors of the article) thinking about perceptual involvement in the built environment, designing together...
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