Resumen
This article investigates representations of national belonging in British South Asian theater productions after the 2005 London bombings. It identifies a significant yet hitherto underresearched corpus of plays that show the formation of the UK ?home front? in the war on terror from the perspective of postcolonial subjects who are deemed threatening rather than worthy of protection. After discussing the construction of British South Asian citizens as suspicious subjects, the article analyzes two plays that offer an extensive consideration of the contingencies of national belonging. It argues that True Brits by Vinay Patel and Harlesden High Street by Abhishek Majumdar dramatize strategies for building, making, or keeping a home in London in spite of the strictures of suspectification and securitization.